On the occasion of the Chinese American Association of Minnesota Chinese Dance Theater celebrating its 20th anniversary, CAAM CDT reflects on the breadth and depth of Chinese dance arts its choreographers and dancers have brought, often for the first time to American audiences. Key vehicle for sharing Chinese dance arts and culture has been at least one production each year often at the O’Shaughnessy auditorium, a premier Twin Cities location for dance performance. By growing and broadening its audience each year, CAAM CDT serves its mission to share Chinese culture and dance with all Minnesotans.

Twenty years of dance has yielded an amazing wealth of content. Each production comes alive through the efforts of artistic directors, teachers, dancers and volunteers. Each show is unique and reflects the talent and wisdom of a succession of artistic directors, professionally trained in China with many years of artistic experience – Cui Tianjiang, Shen Pei, Yang Qiang and Teng Lili. Each performance is like a wonderful Manchu Han Feast of dance composition. The first few years were simply celebrations of Chinese culture consisting of 12 -16 dances and musical performances. But since 1997, each show has had a carefully chosen theme to reflect a cultural influence or artistic element from Chinese culture.

Beginning in 1997 with the theme “Harmony” CAAM CDT constructed a dazzling collection of Chinese minority dances, reflecting many geographical and cultural characteristics of the ethnic minorities in China. The theme for the 1998 show, “3,000 Years of Classical Dance of Dynastic China”, consisted of 14 Chinese classical dances. Beginning with the ritual and music of the pre-Qin period, the period of the Terracotta Warriors (now on view at the Minneapolis Institute of Arts) these Qin dynasty's "eternal treasures”, were followed by dances from classic periods of the Han, Tang and Song dynasties, a treat for all seeking to learn and experience the grace, agility and style of a several early golden ages of Chinese culture. Concluding with the Yuan, Ming and the Qing dynasty, these later periods capture the further essence of palace beauty, and strong cultural heritage.

Contrasting in the following year, 1998 drew the audiences into a fuller understanding of the ethnic diversity of China by introducing its audiences to folk and multicultural dances of China’s 57 ethnic groups living in China.

By 1999 CAAM CDT sought to depart from its reflections inward to explore the dance influences across Asia in its show “Dancing Mosaic”. By featuring not just Chinese dance but also dance from Japan, India, Korea, Cambodia, Laos, Mongolia and the Philippines. CAAM Chinese Dance Theater created a pan-Asian collaboration with other Asian dance groups. Divided into four parts, "gestures and eye contact”, "Physical and mental", "drum and dance", and "props and emotions" the production exposed the audiences to the mired charm of varied Oriental dance.

In 2000, also the Year of the Golden Dragon, CAAM CDT produced a world premiere of a dance drama, “Descendants of the Dragon”. Cycling through an entire year of celebrations and festivals, “Spring Memoriam”, “Triumphal Summer”, “Mid Autumn Reverie” “New Year Reunion” and the grand finale “Onward the Dragon”, the show cleverly wove together dance themes with Chinese lunar festivals. 2001’s production “Beloved Land” brought to life many other themes focusing on the people of China, part of a series seeking greater meaning of China’s times and people.

For its tenth anniversary, CAAM CDT’s 2002 production “Quintessence“ CAAM CDT’s celebrated the landmark occasion with original choreography to the famous legend and music “Butterfly Lovers” while bringing together other live music and innovative dance to the stage.

As its second decade unfolded CAAM CDT produced a series of productions focused on the lives of ordinary people in China. 2003’s annual production “Four Seasons” explored seasonal themes across many people. 2004’s annual production “Rhythms of Life” featured many aspects of everyday life in particular, rituals and customs of people of China reflecting their geographic and climatic context. Original award winning choreography by the artistic director featured a US premier.

By 2005 the theme of CAAM CDT’s productions refocused on the imaginative. The 2005 Production, “Legends of China” featured dance stories based on beloved tales from China including the Monkey King, Snake Queen.

In 2006 CAAM CDT’s artistic director Shen Pei retired and Lili Teng rejoined CDT as Artistic Director. To honor our Chinese heritage but leave her own mark on
the repertoire of the dance theater, Lili Teng began her artistic director’s tenure by staging three successful productions based on themes attractive to family audiences. Beginning with 2006’s Family Day show “Close to my Heart”, CAAM CDT reflected universal themes of memories from childhood of growing up in China. In joint collaboration later that year with the MInghua Chorus, 2006 production lauded the universal theme of love with many stunning performances. The series was rounded out with a special production just dedicated to the many ways of celebrating Chinese New Year in China.

2008 and 2009 saw a major development in the themes of the Production. By using various symbols of Chinese culture, CAAM CDT began to mount productions to deeply explore Chinese art, culture and values. “Ode to Flowers” first staged 2008 in St. Paul and then restaged in 2009 for Rochester audiences was an artistic success. Each dance drew inspiration from either famous poetry or works of art such as Lee Jeong’s Tang Dynasty poem ("The most representative of the Peony of elegant temperament”), Song dynasty poet Lu Meipo’s poem about plum blossoms in snow (“There is no spirit of snow does not, snow is no vulgar person”) as well as other famous Chinese poets, Mei Xunxun and Lu Meipo which provided a backdrop for a dynamic modern dance piece.

Continuing to explore Chinese symbols but moving from the grace of a blooming flower to the drama of a beating drum, CDT’s 2010 production the “Sound of the Drum” took inspiration from the 2010 Beijing Olympics’ opening ceremony as thousands of drums took center stage. Taking advantage of the world’s awareness of the symbol of the drum CAAM CDT expanded its audiences understanding of the use, times and symbolism behind the use of the drum in Chinese culture while weaving throughout the performance pulsation dances and spirited movements.

In 2011 CAAM CDT introduced a new cycle of thematic approaches, “China: The Beautiful”, a travelogue through China’s culture and ethnic groups beginning with the regions lying along its coasts. 2012 completed the cycle with the mountainous and prairies lying inland. In total eight geographical areas of China were highlighting augmented with innovative technical stage designs, one of which used Google Earth technology to transport the audience from St. Paul to China.

The 20th anniversary is a major year long celebration for CAAM Chinese Dance Theater. A high-point for this celebration will be the annual production show in January 2013. Chinese dance teachers and volunteers are hard at work in preparation to bring you a spectacular show to cap this celebration.

Terms Of Use

Terms of Use All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without prior written permission of the publisher. For permission requests, contact [email protected] with subject line “Permission request.”

About

CHINAINSIGHT (CI) is published monthly ((except July/August and November/December are combined) by China Insight, Inc., an independent, privately owned company started in 2001 and headquartered in the Twin Cities area of Minnesota.

CHINAINSIGHT is the only English-language American newspaper to focus exclusively on connections between the United States and the People’s Republic of China (PRC).

Our goal is to develop a mutual understanding of each other’s cultures and business environments and to foster U.S.-China cultural and business harmony.